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"Clusterfuck", 2025, concrete and acrylic on canvas, recycled textile frame, 144 x 64 x 4,5 cm.

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“Cosmic Laugh I and II”,  40 x 30 cm, resin, pigment, concrete and frame, 2024.

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"God Hates Magic", 80 x 60 cm, chalk, acrylic color and resin on canvas, 2024.

"Collateral Damage", artist catalogue, 2024, 150 pieces.

Exhibition view "Like thorns of wild roses are your sweet touches", 2022 at AkademieGalerie, München

Video of the performance "Tares", 2022, 13:15min, Full HD, 16:9, Colour

Series of asphalt paintings made during the performance.

Concept & Performance: Julia Emslander

Video: Justin Urbach 

Costume: WE.RE 

Curatorial text: Tatjana Schäfer 

Photos: Milena Wojhan

Exhibition assistance: Philipp Schießler 

Excerpts of the video of the performance "Tares", 2022, 13:15min, Full HD, 16:9, Colour

Full video on request.

 "Like thorns of wild roses are your sweet touches", 2022 at AkademieGalerie, München

Concept & Performance: Julia Emslander / Video: Justin Urbach / Costume: WE.RE / Curatorial text: Tatjana Schäfer / Photos: Milena Wojhan / Exhibition assistance: Philipp Schießler 

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Detail of "Asphalt"

Asphalt on canvas

170 x 30 cm

2022

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"Hardcore Utopia", 25 x 20 cm, wood, (synthetic) fur, concrete and silver pigment, 2024.

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“Love Me More Than My Avatar”, 140 x 60 cm, rhinestones, metallic pigments, acrylic color, and resin on canvas, 2024

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"Becoming Human in Landscape", 80 x 60 cm,  concrete, lacquer, oil color and rhinestones, 2024.

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“Satanic Panic”, 140 x 60 cm, pigments and concrete on canvas, 2024

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"Three Stages of Trance", 2025, rust, resin, oil color, aluminium and asphalt on canvas with textile frame, 144 x 64 x 4,5 cm.

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Details of the work "Three Stages of Trance".

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Installation view: "Concert of Anarchy" and "Anxiety Rush".

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"Concert of Anarchy", 161 x 141 cm, rust, concrete and red pigment on canvas, 2024.

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"Tough Toy", 140 x 60 cm, nails, lacquer and pigment on canvas, 2024.

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Details of the work "Tough Toy".

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“Holy Christ! There is nothing left.“, diptyh: each 80 cm x 30 cm (in total 80 x 60 cm), rust, beeswax, resin, grey cast iron,

and pigments on canvas, 2024.

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Solo show "Nocurnal Fantasy", Galerie Jahn, Landsberg. Artwork left "Nocturnal Fantasy" and right "Freedom and Danger".

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"Nocturnal Fantasy", 41 x 31 cm, Synthetic fur and color, 2022.

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“No Man’s Territory”, 170 x 120 cm, asphalt, oil color, clay, metal and expanding foam on canvas, 2024.

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"Fragments Of An Absent Path", 30 x 80 cm, rust, concrete, aluminium plate, oil color, asphalt and metal pigments on canvas, 2025.

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Installation view: solo show "Nocturnal Fantasy". Artwork left "Oil spill" and richt "Thrill".

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"Dreams and False Alarms", approx. 32 x 22 x 8 cm, clay, epoxy, paper and glas, 2023.

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Installation view "upsi"", Space N.N., Munich, GER, 2024.

"Dreams and False Alarms", each approx. 32 x 22 x 8 cm, clay, epoxy, paper and glas, 2023.

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Installation view, "Mesh", QO Gallery, Berlin, GER, 2024. 

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"Oil Spill", 140 x 60 cm, resin and black pigment on canvas, 2024.

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"Collateral Damage", artist catalog, edition 150 pieces, self published.

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"Default Mode Network", 40 x 30 cm, concrete, resin and pigment on canvas, 2023

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"Default Mode Network", 40 x 30 cm, concrete, resin and pigment on canvas, 2023.

"Raw Feelings", approx. 27 x 22 cm, concrete, resin and pigment on canvas, 2023.

Installation view "Dreams and False Alarms", ZIRKA, 2023.

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"Dreams and False Alarms", approx. 32 x 22 x 8 cm, clay, epoxy, paper and glas, 2023.

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Exhibition view from the installation "Dreams and False Alarms", ZIRKA, 2023.

Photo above:

"Running to Stand Still", 170 x 150 cm, plaster, graphite, chalk and acrylic color

on canvas, 2023

"Dreams and False Alarms", 17 x 20 x 6 cm, clay, epoxy, paper and glas, 2023.

Photo left:

"Dreams and False Alarms", 20 x 15 x 6 cm, clay, epoxy, paper and glas, 2023.

"Dreams and False Alarms", 15 x 25 x 10 cm, clay, epoxy, paper and glas, 2023.

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"Dreams and False Alarms", 20 x 15 x 6 cm, clay, epoxy, paper and glas, 2023.

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Exhibition view from the solo show Nocturnal Fantasy" at Galerie Jahn, Landshut, Germany.

"Messy reality II", 17,5 x 10 cm, charcoal on handcrafted paper, framed, 2023
"Solitude", 140 x 200 cm, resin and bone black pigment on canvas, 2022

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Ink and oil pastell on Bütten paper, 2023.

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Ink and oil pastell on Bütten paper, 2023.

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Installation view "Drama involves interaction", size and dimension variable, digital print and paintings on handcrafted paper in frame,  2020 – ongoing.

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Installation view "Drama involves interaction", size and dimension variable, digital print and paintings on handcrafted paper in frame,  2020 – ongoing.

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"Messy Realities", ink, pastell, chalk and oil stick drawings on handcrafted paper.

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"Heat on the concrete I", Acrylic color, resin and graphite pigment on canvas, 80 x 30 cm, 2022 (left).

"Heat on the concrete II", Acrylic color, resin and graphite pigment on canvas, 80 x 30 cm, 2022 (right).

"Thrill"

Chalk on canvas

80 x 60 cm

2022

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"Middleclass boredom"

Resin and pigment on concrete

40 x 30 cm

2022

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"Offline future"

Pigment on concrete

80 x 60 cm

2022

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Exhibition view Galerie Robert Drees, Hannover, 2022. Photo by Roland Schmidt.

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"Sober"

Acrylic color on synthetic fur

140 x 100 cm

2022

"Silent"

Pigment on concrete fur

140 x 100 cm

2022

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"Nocturnal fantasy"

Acrylic color on synthetic fur

40 x 30 cm

2022

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"Messy reality"

Pigment on concrete

40 x 30 cm

2022

Performance "Tares"

2022

Photography by Milena Wojhan

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”Tares 2.0“,

2022,

black pigment and epoxy resin on canvas,

35 x 30 cm

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Installation view, diploma show, 2022

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”I could have fallen“, 2022, bicycle chain and graphite

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Installation view, diploma show, 2022

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left: ”Orage“, 2020, acrylic color and graphite on canvas in aluminium frame, 121 x 86 cm

right: ”Concrete II“, 2020, chalk, black pigments and graphite on canvas, 60 x 40 cm 

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Installation view, diploma show, 2022

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left: ”Black rain“, 2021, black pigment and lacquer on canvas, 40 x 30 cm 

right: ”Dusty road“, 2021, chalk and black pigments on canvas, 40 x 30 cm

Installation view, diploma show, 2022

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”Narziss“, 2022, black pigment and epoxy resin on canvas, 200 x 150 cm

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Installation view, diploma show, 2022

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"Écriture sauvage"

2020

frottage, charcaol on paper

15 x 12 cm

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atelier, 2020

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„type”

2020

acylic colour, lacquer, oil stick and crayon on canvas

140 x 100 cm

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„Der River”, 2020, Alte Spinnerei, Leipzig

group show with

Anselm Reyle + students

Michael Sailsdorfer + students 

Gregor Hildebrandt + students

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„arrangement I”

2020

chalk primer, lacquer, color pencil, graphit and tape on canvas

210 x 150 cm

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„grey composition I”

2020

chalk primer, acrylic and oil color, lacquer and graphit on canvas in wooden frame

120 x 80 cm

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„grey composition II”

2020

chalk primer, acrylic color, lacquer and graphit on canvas in wooden frame

120 x 80 cm

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„shift”

2020

chalk primer, lacquer, acrylic and graphit on canvas

40 x 35 cm

Klasse Hildebrandt - Blick zurück nach vorn 2021, Julia Emslander, La pleine lune se marie

Installation view of the exhibtion "Blick zurück nach vorne", Galerie Klüser. Photo: Jamie Fischer. Painting left: Boris Saccone.

Julia Emslander, La pleine lune se marie avec l'asphalte noir, 2021, Klasse Hildebrandt -

„la pleine lune se marie avec l‘asphalte noir”

2021

asphalt, lacquer, graphite and bone black (exclusive) on jute

150 x 150 / 120 x 150 cm

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„étoiles”

2021

titanium white, bone black and graphite on canvas

35 x 30 cm

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„concrete I”

2020

chalk primer, black pigment and graphite on canvas

90 x 50 cm

„concrete II”

2020

chalk primer, black pigment and graphite on canvas

60 x 40 cm

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„work/out”

2020

blackroll, rubber band and blackroll-ball

42 x 15 x 15 cm

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„orage”

2020

chalk primer, black pigment and graphite on canvas in aluminium-frame

121 x 86 cm

„cargo"

2020

lacquer, black pigment and color pen on canvas in aluminium frame

40 x 30 cm

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detours”

2019

Edition 10 pieces with one unique, handmade with artwork

288 pages

aluminium-cover

27 x 24 cm

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Installation view at Lost Weekend Galerie „Translating Realities“

with Hayato Mizutani (showcase left + right)
 

curated by TGB Art Project and Jaemine Lee 

photo: Verena Haegler

Julia Emslander (showcase in the middle)

„There lies a beauty in the catastrophe”

2021

digital print, 297 x 260 cm

aluminum on aluminum in aluminium frame, metal pipe

60 x 80 cm

„There lies a beauty in the catastrophe”

2021

digital print, 297 x 260 cm

asphalt on aluminum in aluminium frame, metal pipe

60 x 80 cm

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„nocturne”

2020

lacquer, graphite and oil color on canvas

120 x 70 cm

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"leaves”

2020

photogram on photo paper

24 x 17,5 cm

Edition 10 + 1

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"tree”

2020

photogram on photo paper

24 x 17,5 cm

Edition 10 + 1

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"wood”

2020

photogram on photo paper

24 x 17,5 cm

Edition 10 + 1

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„v042020”

2020

chalk primer, lacquer, acrylic color and graphite on canvas

40 x 30 cm

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„v052020”

2020

chalk primer, lacquer, acrylic color, pencil and graphite on canvas

40 x 30 cm

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"hydra"

2017

shaving foam, nutrition color on paper

mixed media

"crater”

2017

almond milk, soap and ink on paper

mixed media

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